Arion Baroque, associated with Bourgie Hall, received a divine concert of the hostel this weekend. The idea was excellent because the artistic director of this Baroque ensemble Lyon in France introduced Saturday in Obligation Its very original project Hamlet’s ghosts.E century. The project, convincing and impressive on the disk, is even more on stage due to the shaken presence of Robert Mameli, who supports the role of mother, Hamlet’s fiancée and even Hamlet himself, when the role was transferred to Castrat.
A fascinating object that these handlesSettlement Baroques, lost operas that draw on one and the same brochures: Ambulance, Dramma on MusicWritten in Venice in 1705 Apostolo Zeno (1668-1750), for the structure of work and Pietro Pariati (1665-1733), for verses. Ambulance resting at Settlement De Shakespeare (1623) but on a medieval legend Gestures DanorumHistory of Danish people since the beginning of 13.E century by grammatical sax. The project was established by musicologist Paolo Montanari, who signed a week ago as an exhausting Disc, in Arcana and a concert program.
Land
As explained in an interview with Obligation Saturday boss and harpsichordist Franck-Emmanuel Comte, subjectSettlement It is rare in the Baroque era, because the themes treated in the opera were then mythological or ancient: “The Middle Ages were not interested in the Baroque era, but that is of interest to the romantic era. »»
They are therefore little-known composers who looked at the Kingdom of Denmark, starting (in 1705) to Francesco Gasparini (1661-1727). The first main teaching: Little known does not mean average. Painful Nella Mia Sasturbonia Prigionia De Gasparini is the stunning air in its cuddling destination and charming His sdegnato (e his geloso), De Giuseppe Carcani (1704-1779), which opens the CD and closes the concert, is brilliant in all respects. Comes from the latest of them AmbulanceComposed in 1741 in Venice, still on the same brochure Zeno and Pariati. This setting in Carcani indicates a more detailed development (melody Da capo) and schematic, but cleverly inhabited by Robert Mameli, who revives the packaging with abundant ornaments.
When it comes to the popular air of the Chief, it’s another Nella Mia Sasturbonia Prigioniataken fromAmbulance From Domenico Scarlatti, composed in Rome in 1715. It is richly organized, less internalized, tense. Scarlatti also tempts with his amazing Sinfonia To many changes of tempos. The melody of Pollarolo and Händel come from Pastiche mounted in London in 1712. The adapter used the lyrics of Zeno and previous music.
Eager voice
The dramaturgy of the concert differs from the dramaturic disk. The disk first helps the voice interest of the rediscovery and the voice presence of Soprano Roberta Mameli, with two Gasparini melodies and the above -mentioned carcans, while the concert between calm and “operatively” in the topic, opening, Sinfonia De Gasparini. In both cases Sinfoniae They are scattered in the program to save the Rest Beach (concert) and ensure the diversity of the atmosphere to listeners (concert and disk).
The question of such a concert is to simply know whether the “for real” interpreters are as much as possible as under registration conditions. That was how much, Sunday in the Bourgie room. Accuracy, verve, shades and beauty of signs of the orchestra (a small disadvantage in slow movement of Hesse), but above all irradiation of the presence, overflowing of dramatic intensity, virtuosity in vocalization, the depth of low media and the beauty of heights Robert Mameli.
We understand that publications and program were built around the singer. Moreover, in these works, there remains melodies for other Tessures, but as it is, you have to succumb to this extremely impressive voice and musical personality, in all your jobs and all registers that we hope to check in Montreal very quickly.
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